NEO FILIPINO

BALLET PHILIPPINES PRESENTS ITS FINAL
PRODUCTION OF THE 2008 – 2009 SEASON

NEO - FILIPINO

March 13 – 15, 2009
March 12 (3pm/8pm); 13 (3pm/8pm); and 14 (3pm/8pm); and 15 (10am/3pm)
CCP Little Theater/Tanghalang Aurelio Tolentino
Cultural Center of the Philippines

Featuring works by
ALICE REYES – MAX LUNA III – ALDEN LUGNASIN


MANILA, PHILIPPINES – In the final program of its rousing 39th Anniversary Season, Ballet Philippines pays homage to the vast riches of the Filipino cultural heritage in NEO – FILIPINO with the revival of a repertory favorite and two world premieres. Highlights include the highly anticipated revival of founding artistic director, Alice Reyes' Amada. Inspired by National Artist Nick Joaquin's Tadtarin and Summer Solstice, Amada explores the mysteries of the Tadtarin ritual. Live music by Kalayo (formerly Pinikpikan) will serve as inspiration for the world premiere of KatiTaog by Ballet Philippines' Artistic Director, Max Luna III - his first work created especially for the company. The world premiere of Ulaging – Daog-dog Sa Sang Libong Kulog by BP Resident Choreographer, Alden Lugnasin, draws on a fusion of live music, ethnic instruments, movement, drama and contemporary dance to expose the plight of the indigenous Lumads of Mindanao.

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TICKET INFORMATION:
Ticket World Outlets: +632 891 9999
CCP Box Office: +632 832 3704
Ballet Philippines: +632 551-0221/551-1003/832-3689/832-6011

SPECIAL DISCOUNTS AVAILABLE:
Money saving season subscriptions are still available, for as little as P3200, from Ballet Philippines. BP is pleased to once again offer discounts to Students with ID (50% off), Seniors (20% off) and Groups of 20 or More (20% off). Special discount rates are also available for School Groups.

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This production of Neo – Filipino is made possible in part thanks to the support of Ayala Land Premiere, Globe Telecom, Rene Barbier and Freixenet Cava Wines

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ON THE PROGRAM

Amada – REVIVAL
Music: Lucrecia Kasilag
Choreography: Alice Reyes

In the Philippines, Spanish Catholicism was absorbed and mixed with local pagan rites and rituals. One of the more primitive ones was that of the "Tadtarin" which was practiced once a year during the Summer Solstice at the Feast of Saint John. It was a Dionysian festival where women reigned supreme for three days and the men who participated could do so by wearing some female garb as a symbol of subservience.

KatiTaog – WORLD PREMIERE
Music: Kalayo
Choreography: Max Luna III

The traditional Pangalay of the Tausūg people of the Sulu Archipelago serves as inspiration for Mr. Luna’s exciting live-music collaboration with Kalayo.

Ulaging – Daog-dog Sa Sang Libong Kulog – WORLD PREMIERE
Choreography: Alden Lugnasin

Resident Choreographer, Alden Lugnasin, draws on a fusion of ethnic instruments, movements, drama and contemporary dance to explore the environmental issues facing the indigenous Lumads of Mindanao.


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Mary Saludares

I received news lately that a very good friend of mine died. She was a young ballerina with big dreams within her reach. After a performance in Maryland, as she was crossing the street, a car hit her and her colleagues.

I feel like a car has hit me, too, at speeds a speedometer can't read. I feel both numb and hurt. Masakit. I will heal. We will all heal, as we all must after such tragedies. Life does go on for us, the living. Your memory and what you mean to me, us will forever remain. But, until time heals the pain, I will mourn for you, Mary.

You were one of my best partners. Our tandem had presence. It was easy to dance with you on stage because you gave of yourself completely. Together, we would be lost in our characters, the music, and the steps -- living and breathing the dance. The first time we partnered was for Teacher Tinnie's Modern Choreo. There was only a small partnering bit, but after that there were so many. Sayaw Pandirigma. Teacher Jun's Skirt Dance. No Exit. Rhapsody in Blue. Lattice. The Astor Piazzola Tango set. I will never forget how your mom and my mom both concluded after one show that when we danced together, there was magic.

Pre-dance, after-shows, between classes and just in our own time, we always ate. We did love to eat. Turtle pie at Coffee Bean. McDo, Coke Float and Fries. Tita Susan's Mango Crepe. Spaghetti. Turon. Any brand of Chocolate even the inexpensive Goya Chocolate. Chocolate Cake. The Choco log at Country Style (Yes, we had more than our fair share of Chocolates). It became a part of our pre-show routine to go to the others dressing room looking for sweets. Sometimes, you'd come to me. Sometimes, I'd go to you. But we never failed to look for food.

I remember how, when lounging at your house, you, vida and mcCoy decided to pluck all my chest hair out. Hahaha! That hurt until I was numb and was really funny. We were all laughing. Again, we ended up laughing when, mid-bathing, you, vida and I ran out of the three bathrooms at your home because there was no more water. There was only half a pail of water left. We had to make do with that. Grabe yung tawa natin nun. You loved to laugh, Mary. Your eyes would grow wide and your grin made others laugh with you. You loved to joke, muck around and have fun. We would hang at steps, BP, the mall, dressing rooms, UP, your home, etc. and we would always have a grand time. Even if you were just watching your anime as I read, we had a great time. We had lots of adventures. Your 18th debut celebration. Our audition for HK APA. Kilig moments at UP. Going to Baguio. Accompanying Cyril to POI and then walking back to April's condo to watch the PNAB rehearsal. My Discovery Suites racket where they colored our hair blue. The Gabby Barredo exhibit. Looking for costumes at Makati Cinema Square. Our various overnights and parties. Watching movies and ballets. Eating, again... Hehehe!... And all those others that could fill a chest of memories.

You knew how to have a great time. But you were my friend because you also had substance. You weren't just a girl in the world. You had brains, heart, and passion. You loved your family, friends, and teachers. Unlike me, you were very vocal about this. You were a university and college scholar at UP and made sure you got good grades. You would work on your roles with passion and ferver. Always testing how far you could go. We could talk about life and love for hours on end. Even though I missed you, I was really happy you were in the States to realize your dream. We shared the dream, didn't we? To dance for others and touch lives through our art.

I was looking forward to seeing you this May. I was hoping that Steps would have us partner again. I was looking forward to your jokes, your kwento's and your company. Now, I am glad I was able to tell you a few weeks ago that I miss you and that I love you. Yes, Mary, I will mourn for you. And I will remember you. But I will also rejoice because you are in heaven. There is no better place to be than there.

CCP Pasinaya Open House Schedule

Quality

Ruby and I had a discussion on our way to CCP. We both agreed that quality comes with a price. However, works of love have to be and have been given freely. These cannot come with a price tag.

Coppelia

Ballet Philippines Presents Coppélia

As one of the world’s most popular classical story ballets, Coppélia’s sentimental comic story is beloved by ballet audiences the world over. As the story unfolds, Dr Coppélius, the eccentric toymaker, has created the lifelike Coppélia doll and wishes for nothing more than to bring her to life. He imagines that his dream has finally come true, but has merely been caught up in the tomfoolery surrounding a lovers' tiff. In the end, love triumphs over all in this comedy of mistaken identity. The finale is a breathtaking celebration of the lovers' marriage. Coppélia is an enchanting, effervescent family ballet, for audiences of all ages and a perfect holiday treat!.

Ballet Philippines’ shimmering new production of Alan Hineline’s Coppélia is accompanied by the soaring music of Léo Delibes played live by members of the Manila Symphony Orchestra under the baton of Jeffrey Solares. Designs for the whimsical sets are by Mio Infante; Eric Pineda has created costumes that will transport audiences into the ballet’s 19th century.

PLAYDATES

when I Play Dr. Coppelius Dec 12 --- 8pm, Dec 13 --- 3pm and 8pm, and Dec 14 --- 3pm

when I play Franz's Friend Dec 12 --- 3pm and Dec --- 14 10am

TICKET INFORMATION: (or just message me via multiply or sms)
Ticket World Outlets: +632 891 9999
CCP Box Office: +632 832 3704
Ballet Philippines: +632 551-0221/551-1003/832-3689/832-6011

SPECIAL DISCOUNTS AVAILABLE:
Money saving season subscriptions are still available, for as little as P3200, from Ballet Philippines. BP is pleased to once again offer discounts to Students with ID (50% off), Seniors (20% off) and Groups of 20 or More (20% off). Special discount rates are also available for School Groups.

Coppélia is made possible in part thanks to the support of Ayala Land Premiere, Globe Telecom and PCSO

daddy

My brother died a year ago. Today, I showed his son two videos -- one of him cradling his son and one of him singing. My one year and three month old nephew would point at his video and say "daddy." Then, my nephew would turn to me, point, and repeat "daddy." This breaks my heart. All I can do is grin, bear it and give my nephew a hug.

P.S. I don't like posting my nephew's pictures. I never have. Somehow, I still feel it's JR's job. But I will break my rule. This is Enoch and I about six months ago. One of my fave pics.

Unexpected Song

Today, on my way to work, I caught myself singing a unique melody to myself. Out of the blue the notes came to me and burst forth from happiness.

"Now, no matter where I am
No matter what I do
I see your face appearing
Like an unexpected song
An unexpected song
That only we are hearing"
- Unexpected Song by Andrew Lloyd Webber